Were renaissance artists gay

Artists were no longer starved by the lack of enthusiasm the population had at paying them for their efforts. In the light of Pride Month, we will delve into the history of homosexuality during the Renaissance Era, in Florence, Italy. Italy at this time and during the centuries leading up to this point was doing quite well for itself compared to much of Europe, in terms of both domestic production and foreign trade.

They had lost so much of the foundation of their identity and their world. Panofsky, Erwin, Studies in Iconology: Humanistic Themes in the Art of the Renaissance, (New York, ). During the Renaissance, wealthy cities in northern Italy— Florence and Venice in particular—were renowned for their widespread practice of same-sex love, engaged in by a considerable part of the male population and constructed along the classical pattern of Greece and Rome.

Especially given that there wasn't, for example, a sudden surge of interest in Eastern Orthodoxy, or Byzantine Imperial governance, or any other major aspect of Byzantine culture following the absorption of all those Byzantine refugees? The general prosperity of Italy at the time also had other effects. During the Renaissance, wealthy cities in northern Italy— Florence and Venice in particular—were renowned for their widespread practice of same-sex love, engaged in by a considerable part of the male population and constructed along the classical pattern of Greece and Rome.

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Or would they instead have embraced whichever external influence took greatest hold over them? 1) some of the best known writers of detective fiction in the twentieth century were. The Renaissance gave us a look at what people. If you wanted to talk about "two", you would use a. The verb agrees with the subject, "One".

Walter Pater

A tiny caveat to your lucid and interesting discussion: The term "Renaissance" for the period of rebirth of secular culture at the end of the Middle Ages did not come into general use or, so far as I can find, even into existence, at least in English until the 19th century. And yet, where we might have seen a great surge in interest toward the "Oriental" cultures of the rich and powerful Mamluks and Ottomans due to all this trading, we instead see the aforementioned fascination with ancient Greek and Roman culture.

Is there any rules for I was/were? For another thing, Italy's prosperity at this time also largely made it possible for the region to stand independent of other, larger European powers such as France and the Holy Roman Empire. Just because the only three Renaissance artists that this guy can remember are Michelangelo, Leonardo, and that Cara-whoever that showed up first on your google search terms for "gay renaissance artists" might have enjoyed men-- does not mean that "most Renaissance artists were believed to be gay".

That is, both "were to" (using the irrealis "were") and "was to" (using a past-tense verb) would usually be interchangeable in a sentence structured similar to yours, but that. The era of change brought an end to the Dark Ages. If you were anyone of genuine skill or knowledge fleeing the Turkish conquest, odds are very good you ended up in Italy. From other's conversation,I found out they mentioned I was and sometimes they also mentioned I were.

The Metropolitan Museum of Art in New York City, NY (USA) Significance to Queer Art History: Car avaggio’s work, characterized by his dramatic chiaroscuro technique (chiaroscuro uses dramatic lights and darks to model the figures coming out of the shadows in a “theatrical spotlight” manner) were sensual and dreamlike. Purdue OWL has this example which is almost identical to OP's case: One of the boxes is open.

It brought light to new talent and carried culture to the arts.

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Their once glorious emperors and aristocracy had failed them utterly; their Orthodox faith had not brought them salvation against the infidel, and now only served to mark them as strangers and outsiders in a Catholic world; but their Romanitas - their "Roman-ness" - remained intact, and now they found themselves back in the Roman heartland of old, surrounded by the incredible ruins of that ancient Empire.

And it's not that the West at this time was simply resistant to adopting Islamic cultural elements from their infidel rivals, who sometimes seemed to be an existential threat, carving a bloody path of conquest further and further into Europe. It doesn't even come close to meaning that. Rocke, Michael, Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence (New York, ). It doesn't even come close to meaning that.

Kristeller, Paul, Renaissance Thought II: Papers on Humanism and the Arts (New York, ).

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Surely that has to be more than just a coincidence, no? Please, if you have a source for the Italians themselves calling it the Renaissance, share it with me : I will let the folks now teaching the Humanities course I used to teach know, so they can update their materials. If they had instead found Italy to be a poor and undesirable region to resettle in, they would have likely gone further afield to places like France, Iberia, or the Holy Roman Empire - all of which would have been far less receptive toward them and their culture, enforcing a far greater degree of assimilation and conformity.

It brought light to new talent and carried culture to the arts. And it in this time period that Italy just so happens to become virtually obsessed with the lost splendor of ancient Greece and Rome? After all, this was a time when Arabic terms were flooding into Europe, but most especially into the Italian languages, and most often directly relating to concepts of trade and technology, with a particular focus on industry and production.

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Consider the following sentence, from " Introduction to Control Systems " by Malgorzata Zywno: Note that if a summer were to be moved behind the block, the additional. Just because the only three Renaissance artists that this guy can remember are Michelangelo, Leonardo, and that Cara-whoever that showed up first on your google search terms for "gay renaissance artists" might have enjoyed men-- does not mean that "most Renaissance artists were believed to be gay".

The Metropolitan Museum of Art in New York City, NY (USA) Significance to Queer Art History: Car avaggio’s work, characterized by his dramatic chiaroscuro technique (chiaroscuro uses dramatic lights and darks to model the figures coming out of the shadows in a “theatrical spotlight” manner) were renaissance artists gay sensual and dreamlike. What is the difference between "were" and "have been", and are these sentences gramatically correct?

The Byzantines, of course, never called themselves "Byzantines" - they thought of themselves as Romans. The Venetians and the Genoese in particular were remarkably wealthy in large part because of their willingness to trade across cultural and religious barriers that others might hesitate to cross - most notably trading with the ascendant Muslim empires of the east.

A streak which is perhaps most evident in the fragmentation of the region into so many small, competing city-states, which despite their constant infighting did not make for easy conquests by outsiders. The era of change brought an end to the Dark Ages. The Renaissance gave us a look at what people. The Fall of Constantinople to the Ottomans in is one, sending Byzantine refugees fleeing to all corners of Europe, but notably to Italy, due not only to simple proximity, but also to the fact that both Venice and Genoa had substantial access to, and traffic with, the Black Sea region and Constantinople itself.

And in their flight to the West, I can only imagine they brought that identity with them, along with a powerful desire and need to double down and reinforce it in the wake of the terrible blow they had been dealt. In the light of Pride Month, we will delve into the history of homosexuality during the Renaissance Era, in Florence, Italy.

Had Italy been poorer and less able to resist foreign influence, they might never have developed the streak of independence that would become a hallmark of Italian culture. For one thing, it helped ensure that the intelligentsia fleeing from Byzantium settled down to stay for good, rather than simply passing through and moving on to other realms. Without that sense of independence, without that drive to consider themselves separate from larger foreign powers and cultures, would the Italians have so strongly embraced a sense of Romanitas and Renaissance?

Artists were no longer starved by the lack of enthusiasm the population had at paying them for their efforts.